Copyright, Schmopyrite. A Clients Guide to What You Can Do With Professional Images

Everyone has seen this little symbol. And oftentimes, few really understand what it means and why it should matter to you.

Let’s explore a few scenarios that you, as a client of a professional photographer, should be aware of and why NOT being aware of it could get you in some serious hot water.

What are Copyrights and Why Should I Care?

So you paid someone to take your photograph professionally. You own that photo and all rights to it, right?

Actually, that’s not even remotely true. What you own is the “rights” to how your photographer can use an image of you, but you don’t own any other rights beyond that. The photographer you hired owns all other rights to the image- how you can display it, how you can use it online, and how you can print it or reproduce it (if at all).

Copyrights are actually property rights and the control of how that photograph may be reproduced. Because you hired a photographer to do your family portrait or photograph your wedding, doesn’t mean you can make as many prints from your disc as you want. If fact, without some form of Release that entitles you to do so, you can be taken to court for payment of those rights to do so. You may not even have permission to post them online either without permission to do so since you are “reproducing” the image online. Once you “upload” the image(s), you still have them on a disk or drive, so you “reproduced” that image.

I just scanned my 8×10 so I can make a BIG Canvas! I can send the kid’s digital image to Grandma too! That’s going to be so cool!

You probably shouldn’t do that. Once again, you are violating the photographers copyright and the property rights he or she has as to how that image may be reproduced. Even the act of “scanning” is a violation since you reproduced the image from a print. If you never do anything but store it on your computer, you don’t have any rights that entitle you to do that.

Additionally, when you send that scanned image to a print lab, you are representing to them, in almost every case, that this is YOUR image that YOU own the rights to reproduce it with them. Since you don’t, the photographer has every legal means available to enforce their rights to reproduction. That can get costly- for you and possibly the lab that did the print.

They put this BIG watermark on my “sneak peek” on Facebook. I cropped it so my friends wouldn’t have to see it.

Whatever your photographer adds to an image- like a watermark- is considered a part of that image. Altering that by cropping is a violation of the copyright laws (the DMCA). Again, since you don’t own the copyright, any changes to that image means you are representing that you “own” that image and all rights to do whatever you want. Way too many people find out that hard way that this is a BIG no-no.

What about adding an Instagram or other “filter” to it to make it look “cool”?

Another big no-no. The image you have is considered an “artistic creation” and adding anything that changes that interpretation of what the photographer produced as his or her final image is a violation of their copyright. Most photographers add an “electronic” copyright to their images so any alteration, filters, cropping, etc., is a violation of that copyright. You can’t even change it to a B&W image if you think you might like that better.

My Photographer used an image of me in a Contest or advertisement. Can he do that?

Perhaps.

Remember that I said you own the rights to usage of your own image, but not the actual photograph? Most photographers today ask for a “model release” in which you grant them permission to use your image as they see fit. It might be in a contract you sign or a separate document. It may be for limited usage or could be for whatever the photographer wants to do with it.

Now, there are certain things that are “implied” usage and doesn’t require a model release. For example, a photographer might post an image of you on their website as a “featured” image. They can do that. BUT, they might not be able to use it for a flyer or some other form of advertising. Unless you signed a model release, which you probably did without realizing it, they can still post to their website as representative of their work and artistic ability. Since they control the reproducti0n of that image, use on their own property is considered proper usage and since they do own their websites, domains, etc. and can use it there in most every case without permission.

But I PAID them to take my photograph! What do I get for THAT?

Well, yes you did and what you paid for wasn’t for the images in most cases, nor any usage rights or copyrights to that image. What you paid for was the time, talent, equipment usage, and creative vision of the artist. If your contract doesn’t specifically state that you get anything other than that, you don’t own anything copyright wise.

Take for example that you pay Office Depot for a Windows product. Do you own that software? The answer is a flat out no!

What you paid for was a LICENSE to use that software. You don’t own the code, the rights to alter it in any manner to suit your own needs, nor any right to reproduce it either. You have what is called a EULA- End Users Licensing Agreement- that you “check box” off that you understand this when you install it on your computer.

Basically, hiring a photographer means that he or she owns all rights to that image and can license them to you as they see fit.  Because you paid them to take your photograph, doesn’t grant you any rights. What you paid for was for them to use their skills to produce images that you can purchase and/or also obtain rights to usage as your photographer decides is best for his or her business.

My Photographer want $1500 for images of me I can print! THAT’S highway robbery!

Well, I am sure you think of it that way, but here are a few considerations. According to the PPA, Professional Photographers of America, 65% of PPA members make their sole living from photography. We have to eat too, pay house payments, insurance, taxes, and do all the things from our incomes as you do from yours. What your employer pays you is calculated in part in the prices they charge for products or services they provide. Professional Photographer are no different. We charge you for the rights to produce your own unlimited number of prints based on the income we would lose if we printed them for you.

Imagine for a moment that Microsoft “gave away” the rights to reproduce their software- or sold them really cheap. Their source of income- from their rights to be the sole producer of that software- would be next to nothing, thousands of people would not be working, and someone else would be gaining from their hard work, not them. I could then duplicate it, sell it for whatever I wanted or even give it away.

This is the very reason you often see lawsuits involving software manufacturers where some copy-written code was “stolen” and someone ends up paying dearly. Doing the same thing with a photograph could mean you are on the losing end of a similar lawsuit.

Can I share or use an image my photographer posted on Facebook?

Yes, you can. As long as you don’t alter the image in any manner- including cropping out the watermark, adding a filer, or doing anything that changes the final image that your photographer originally created.

When your photographer uploads an image of you to Facebook, they “surrender” only a small portion of their right to reproduce that image by others. What Facebook DOESN’T allow you to do with that image is alter it in any manner. Which means, you can’t download it, do a few Photoshop edits, and then re-upload it as your own- even if you are thoughtful enough to give the photographer credit. He or she still owns all rights to the unaltered image and altering it in any manner is a violation their copyright by you. This is usually the point where your photographer is going to get really upset and ask you to remove the image, so be prepared if that happens.

There is a NEW SERVICE where I can create photobooks from my Facebook Photos! Isn’t that a great idea!

Well, if you are using images you paid a photographer to create, and you don’t own any reproduction rights to do that, then no, you can’t use those images. It’s a great idea if these are images you made yourself, but not so great if you paid a photographer to take them!

The only images your are legally entitled to use are either ones you took yourself or ones you have the reproduction rights, in writing, from your photographer. Because your photographer tagged you or shared their images on your Facebook page, does NOT grant you any other rights OTHER than sharing or use on your Facebook page. They still own the reproduction rights.

Most any of these services that do that are going to ask you “do you own the rights to reproduce these images?”. If you answer “yes”, then you are subject to the photographer coming back to you and asking for payment. If you love their images so much you want to put them in a book, ask your photographer to do that for you! It can cost you far less in the long run should you “steal” their images and try to do it yourself.

We went to Walmart with our disc from our Wedding. They won’t print them and my photographer wants MORE MONEY for images that I can print! THAT’S OUTRAGEOUS!

Walmart is doing their job. They probably asked you for a “Print Release” and since your disc didn’t have one or you couldn’t produce one in writing, they are not supposed to print your images unless YOU created them. Chances are, your photographer embedded an electronic © symbol or text in the images and as soon as Walmart or other lab sees it, they want your release.

Many labs today are finding themselves on the losing end of lawsuits by photographers for printing images they own the copyrights too simply for not asking for print releases. Even online labs are asking for an electronic release- something you have in an electronic form like a PDF file- where you have the rights to print that image. If you don’t, then you can obtain that from your photographer. Yes, they have every right to ask for payment for one as they do own the rights to reproduce that image(s) you want to print. In most cases, it would be more to purchase the rights than to purchase the prints directly from them! They do have to eat you know.

Even though this is not totally “copyright” related, your photographer also has a certain right to produce images that represent their work as they envision it. Often times “consumer labs” fall way short of doing that. This is often one reason most photographers- your real Professionals that is- want to control their printed products. They want satisfied clients- you- and use pro labs for prints. The care they put into those images and the best possible printed representation of those images will benefit not only you, but also best serves the reputation of your photographer. Often times those “crappy prints” from Wackyworld’s lab doesn’t do that.

I did a “screen shot” of my images on the photographers website and posted them to Facebook. NOW they are all pissy and want them removed. I refuse to do that! They are MY PICTURES!

They are well within their rights to do so. Because they are pictures OF you doesn’t mean “YOU OWN THEM”.

Remember that copyright means they primarily own the reproduction rights to the images. Even if they are of you or a family member, you “stole” their image(s) and reproduced it without permission to do so. Add to it, by doing so, you represented it as “your own”. Even though it might be OF you, you don’t own any right to use it as you see fit or to scan it, copy it, screen shot it, or edit it without your photographers permission.When you “steal” our images and they don’t represent our best work- and that’s what happens with screenshots- we get upset. Let us bend over backwards to serve you, just please don’t “steal” from us. Just ask and we are most likely to accommodate you in every way possible.

My last Photographer gave us a disc of images we could print all we wanted. Why don’t YOU do that too?

There is one thing I totally believe- “you don’t make yourself look good by making others look bad”. So I want to stick to that edict and pray you will bear with me. So let’s call this part an bit of an “educational lesson” for consumers that I hope you will take to heart.

First, there is NO “prerequisite” to become a Professional Photographer. Basically, all it takes is for someone with a camera to call themselves one. Even though pretty much every full time professional has over $20,000 in equipment and over 10,000 hours of education to perfect our craft, it’s not a requirement. There are no tests involved, or any licensing boards to see if we are competent. Just put it out there- “I’m a Professional Photographer”.

Now here is where it usually starts- someone loves photography and gets themselves a decent camera. Someone tells them they take good pictures. Boom! They are now a “professional photographer” who wants to make a little extra money on the weekends taking pictures and getting paid money from people to do so! Exciting way to do that and doing something you love to do too. Perhaps its a few weddings “where the big money is”. Whatever it might be.

Statistically, this is what we know. 90% of these people will not be around inside of a year or two. They find out there is far more work involved to create the images people love and can generate enough income that makes it worthwhile The give their clients a disc of images for $75 and includes the “shooting time” too. Then they find out that hour of shooting time turns into 10 hours of editing time and all of a sudden they are grossing $6 an hour and after they pay for their website, their software, their computer and upgrade their equipment, they are in the hole $200 for everyone they photograph. So they raise their prices. Double. Still in the hole.

They are at the point where one of two things happens- they get out, saying, “there is no money in photography anymore” or they figure it out that copyright protections and printing of images is the only way they can pay their bills, eat, and keep their business afloat- even part time. The latter is the 5% that survive beyond 2 years.

Usually here is what you often get from the cheaper “guy down the street” who gives you a disc of images-

  1. Someone starting out who has a nice camera but hasn’t put in the hours needed to produce truly professional images you are paying for.
  2. Is usually part time and doesn’t make their living from their photography. They work at a bank or dry cleaners and only do this on the weekends. It’s not something they have dedicated themselves to just yet. They want to “try it” to see how it works out.
  3. Doesn’t really care what you do with your images and printing them for you to have, hold, and share with others isn’t important enough to do for you. Basically, they don’t care if your Wackywold prints suck. They just got paid to do your session and because your lab sucks, isn’t “my fault”. They often put that in writing even though they don’t have any access to a pro lab to produce prints that don’t.
  4. They don’t know enough to realize that a “full resolution” image isn’t properly prepared for printing. All they know is that they heard that all you have to do is upload it and you get remarkable prints- even though that ‘s not true at all. (there is a lot of technical details here that is part of that 10,000 educational hours I mentioned)
  5. The use “online ordering” with little if any “quality control” over the prints. All they know is that some lab, someplace, uses their “full resolution images”, not properly prepared, and sends you prints if you want to buy them. They hope you will order from them since “you can get better quality” and they make a couple more bucks. Maybe.

I could go on, but you get the idea, or hopefully you do. This is part and parcel why the person who was “into photography” a few years ago is usually out of the profession now and has sold everything they owned. I see their “camera for sale” ads in Craigslist all the time since they rarely realized that having a Professional Photography business isn’t going to survive by being what I call a “commodity photographer” and doing it in volume- not as a true, professional photographer who values giving the greatest experience possible to every client that come through the door. Over the years I have found that a lot of people who ask me “for a disc only” only are coming to me because that last “photographer” they used isn’t around anymore.

In closing, as a PPA Professional photographer, there are certain standards I must maintain to be someone you would want to come to and can come to over and over. My commitment is to you, the client and to be fair and honest in my dealings with you. It is to make the experience you have, one you will talk about over and over again. It is to provide you with the quality you are paying me to produce and it’s to provide for you, photographic prints you will display in your home and cherish for the rest of your life.

What I produce for you isn’t “ink and paper”. In a couple of years, those photographs will be priceless. If you feel that “ink and paper” is all you are wanting or that is all I provide, then there is always that “guy up the street that gives you a disc of images”. I’ve seen way more of those lost in a desk drawer, someplace- or become damaged and their “priceless-ness” become more apparent when they weren’t available anymore.

Or you could spend the $20,000 or so and the 10,000 hours or so needed to produce what I work hard to produce. But if you aren’t going to go that route and decide to hire me, please honor the copyrights I have on my images. We both will find our experience together as one we both will love!

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Hiring a Wedding Photographer? A Disturbing “Trend” Brides MUST Beware of, the “Vendor-Photographer”!!

As a long time wedding photographer, I have had to deal with any number of “issues” that happen on wedding days. From the “little too tipsy” Uncle Charlie to the Bride and Groom having an “after the ceremony” little flair up. Either way, as a photographer, you are prepared for it or your not.

One disturbing “trend” that you as a Bride need to be aware of is “vendor-photographers”. So what exactly IS a “vendor-photographer’? I mean you’re hiring a vendor of photography services, so why should “this” concern you?

Recently, vendors of wedding services like your florist, DJ, venue or even your caterer are now either hiring or bringing their own “professional photographer” to document you using their services on your wedding day. In most every case, you had no clue that was going to happen. Your florist decides they want photos of you and your bouquet and your bridesmaids bouquet with all of you holding them. So they bring their OWN photographer to document every minute of that happening. Or perhaps it’s the caterer or even your Wedding Planner.

No matter how it happens, in most cases you are put right in the middle of what they are doing- creating a massive advertising campaign with YOU and their services as the “spotlight” for use in flyers, ads, Social media- you name it!

You spent perhaps days or weeks choosing the ONE person to document your wedding day- your photographer. You checked him or her out, viewed countless images, and found someone you could relate to and liked. You hired them. Paid them a lot of money.

Now, your wedding day arrives and you find 2 or 3 OTHER “photographers” all trying to take photographs. And you find your HIRED photographer is frustrated, perplexed, and ready to leave. They may have come to believe you hired more than one photographer when the reality is, you don’t have a clue who they are or why they are even there!

In many cases, these “other photographers” are obnoxious, rude, and demanding that “they have every right to take photos” and that the images they take ALL belong to them. WOW! So what is a Bride supposed to do or say here?

You have just encountered your “vendor-photographer”! He or she is there working FOR your vendor(s) and are going to exploit your wedding day to it’s fullest for their own promotional work. Hey, this is YOUR WEDDING, not theirs so what do you do? Do you say something? Or will your HIRED photographer help you out here?

This is another very important reason you MAKE SURE you have a photographer that offers a CONTRACT. In that contract you may find an “Exclusivity Clause”. In that clause, you are giving your photographer the exclusive right to photograph your wedding. He or she has the very first priority above all over “photographers” that are there. Face it, you PAID THEM to make sure your day was documented and captured for your memories forever. And if your photographer knows what they are doing, they are going to tell the “vendor-photographers” they need to leave.

So now it’s probably going to get “not so pretty” and in some cases, pretty ugly. You can bet these photographers are going to INSIST that “they have a right to be there” and will take photos of whatever they want to take. So let’s see HOW you as a Bride, can make SURE you have something to protect yourself from this happening.

  1. READ other vendors contracts. If they have ANY provision for “vendor-photographer” either ask them to remove that clause or don’t hire them. It’s your wedding and you can determine who takes photos or who doesn’t.
  2. ASK your other vendors if they have ANY plans to do still photography, videography or any other “image capture” of your wedding. If they DO, ask them what they plan to do SPECIFICALLY. If you can agree to it and understand a few images is fine, then you want that CONTRACTUALLY in writing. If your florist brings a camera to shoot your table displays or your other flowers, fine. BUT to bring or hire a photographer to document the wedding, is another issue all together.
  3. ASK your potential photographer how they would handle this situation if it arose. There is ONLY one correct answer- he or she asks them to leave.
  4. READ your photographers contract. Make sure you give the “exclusive rights” to be the ONLY professional photographer taking images of your wedding. This doesn’t exclude a guest or family member from taking a few photos, but DOES restrict those “vendor-photographers” from being there, taking photos, and ruining your wedding day.
  5. If you are hiring a photographer and they don’t have a contract, run. Without one, you have no “ammunition” or someone in your corner to help you overcome this practice AND to be “on your side”.

How “dastardly” are these “vendor-photographers”? One recent lawsuit OF a fellow wedding photographer BY another “vendor-photographer” resulted in a counter claim and LARGE award by the court to a couples “real” photographer. They are using what I call “Ninja” tactics and using YOUR wedding day with impunity and images without your permission in many cases. They also will “weave” these little clauses into their contracts and you never know its happening.

So what does this all mean FOR YOU?

If you aren’t properly warned AND prepared, it COULD ruin your entire wedding day.

Is it happening here?

Yes, and starting to be an issue all over the country. I have SEEN “vendor-photographers” at weddings and had to deal with them in a nice and gentle way. SO FAR, they are cooperative, but in some parts of the country, not so much.

So what might happen if  you did sign a contract with another vendor and they interfere with your HIRED photographer?

In some cases, your photographer MAY include a clause in their contract that allows them to basically LEAVE if you did indeed allow these “vendor-photographers” to show up and create havoc. Add to it, YOU are out what you paid and you may get no images either! These “vendor-photographers” are basically “interfering” with the photographers ability to fulfill the Contract WITH YOU and photographer’s ability to perform their job. It’s call tortious interference and is actionable in the courts.

So you decide to “sue” your photographer in court! You can bet that the legal battle is going to be uphill and the chances are, you lose and your photographer will sue the “vendor-photographer” for being there and you for violating the “exclusivity’ you gave your photographer. In the link to the article below, you can read what happened to ONE “vendor-photographer” who made a real stinker of one wedding and how much it cost this “vendor-photographer”. I doubt you want to be party to that.

In closing, I hope you take this seriously and don’t think “it can’t happen to me”. It can. And probably will to someone reading this. Most importantly, HIRE A TRUE, LICENSED and INSURED professional photographer. AND I recommend hiring a PPA Professional. Our commitment to YOU, the client, is foremost in what we do.

We KNOW how to handle these issues and do so to assure you 100% of what we promise.

A very special Thank You to a friend and fellow photographer for pointing this out for all to learn from. If you want to read her entire blog post, you can find it here- http://www.katforder.com/2015/09/02/vendor-photographers-are-a-new-trend-in-event-photography/ .

 

I Met “Digital Dan”, Professional Photographer, the Other Day

I bet you know “Digital Dan” Professional Photographer (or perhaps it’s Danielle), too!

They are constantly found on Facebook, Craigslist, Groupon to name a few, and they are always looking for “new clients”. You can spot their advertising quite easily!

“Family (or Wedding, or Newborn, or Maternity) photos CHEAP! Session fee and 25 digital images for $65. Call today to reserve your spot”.

Now don’t misunderstand me when I say this- I really love the “Digital Dans” of the world. I really do.

They make me appreciate the fact that I take the time to help people and I get to be a part of a small slice of their life and offer them images that they not only love when they see them, but cherish them as heirlooms for their family. I love watching them see their wall art for the first time and helping them display them on their walls and watching their reaction when they see their new baby’s album for the very first time. I love the tears new wives (and husbands too) shed when that ONE photograph is seen in their heirloom masterpiece I created for them. I love watching the memories of that day be relived over and over.

Now “Digital Dan”, well, his approach is probably a bit different. He isn’t that much “into it” when it comes to helping you select your images or helping you find a perfect location for your disc to hang on your wall. Nor is he much into helping you select a proper frame for that disc either. Now, he honestly isn’t going to be much help either when you decide you want a print and probably doesn’t care much if your prints are off in color or printed on some cheap printer that you can get down at “Puter’s-r-Us” and that you really don’t have any photo paper in a size you really want to print it on.

And “Digital Dan” doesn’t use any “Pro Lab” that he can offer you prints either! After all, he doesn’t want to “rip you off” with high quality, professionally printed, archival quality images that require him to properly prepare his files for outstanding quality you are HOPING you get from your “1 hour” lab! I mean, why offer that to clients since they can get those $.27 prints and as many as they want! Who really cares if they fade and discolor in a couple of years. Nor do you really care if that 8×10 has the top Dad’s head cropped off or Sally’s arm too.

And when “Digital Dan” is finished, he just doesn’t seem to spend that much time before handing you that disc since his editing skills aren’t really THAT great, but “good enough” for what little he charges. Does having the best editing REALLY make that much difference since all you are getting is a disc? But  “Digital Dan” is pretty cheap and he IS calling himself a “professional photographer”!

And those harsh shadows on your face? Well, “Digital Dan” is one of those “natural light” photographers and “those things happen” when you photograph someone at noon outdoors. And “Digital Dan” really doesn’t like to use “artificial light” to fill in those shadows. To him, “that’s not what I do”. (in other words, he either doesn’t own any or doesn’t know HOW to use it…yet!). And he also does “studio work” with “all natural light” too.

Now if you are getting married soon and want “wedding pictures”, “Digital Dan” is THE MAN! He will photograph your wedding and put your images on a disc for you to “cherish for a lifetime” and promise you get them in a week! What a great DEAL for $400! It really doesn’t matter THAT much that your Reception and Cake Cutting images seem, well, DARK since it was a bit dark inside your reception hall. Nor does it matter much that your outdoor beach wedding was at 3pm and they also have those really HARSH shadows across the brides face! You DID get a “few” really good shots you can show to people.

And since “Digital Dan” isn’t that much into album design, you can find one of those “Online, design your own album” companies and get them DIRT CHEAP! You get to do all the work from selecting your images, to figuring out your layout and them uploading the images and HOPEFULLY “Digital Dan’s” images print a bit better than they look on the screen. Think of ALL that money you saved! And when you get that album back, you can honestly say, “we cried” when we saw it! But chances are, those are going to be tears of disappointment, not tears of joy. But hey, “Digital Dan” was cheap and we “had to cut back someplace”, right?

You see, “Digital Dan” just really isn’t into being involved in what being a Professional Photographer is supposed to be. He really doesn’t like to “meddle” in your decisions or help you in any way when it comes to what products you want to order. He isn’t much into designing your album either because if he had to do that, he would probably have to charge you a LOT more. “Digital Dan” is probably going to do a little as possible too when it comes to getting to know you, finding out what you like and dislike, what you feel is your best feature and also what you consider your worst feature too. And he probably isn’t going to be much assistance in clothing selections or suggestions for makeup or hair either since these might effect your images in a really positive way. He is just going to show up, take your picture, hand you a disc for you to view the best way you can, and take your money! Now that he’s done with you, he has to move on to the next person and also offer that same level of service he just gave you.

But he was cheap.

Why Handing You a “Disk of Images” is the REAL Rip-off

A friend of mine used to be a Manager at McDonalds. He was part of a layoff and took a job there basically because it was all he could find and moved into Management pretty fast. As one of the managers, he was privy to a lot of “inside information” that few had access to.

One of the things he showed me was the “cost sheet” that every store manager used to place their daily order from their Distribution Centers. Now I don’t eat there often (WAY too many calories for this growing body), but occasionally I do love a Big Mac Value Meal. Lately, that has been around a $7 meal here locally- and higher in other parts of the country.

Now the cost of the ingredients needed to make that Big Mac is around $.74. Yes, $.74 cents. And they sell a LOT of them everyday. And add the fries and a drink, and it’s still under a buck cost to the store. So tell me, have you stood in line and argued with them that their $7 meal is a “rip-off”? And why is it that they are “marking up” their prices so much? Continue reading “Why Handing You a “Disk of Images” is the REAL Rip-off”

The 3 Myths of Wedding Photography

Wedding Day in Jacksonville, FlI love photographing weddings. I always have.

What could be more touching and inspiring than to be a part of a couples most special day where they make the commitment of love to one another and share that with their friends and family.

Wedding photography isn’t for everyone. There is one or two things that happen to photographers- they photography one and fall in love with it or they absolutely can’t wait to never do another one. Photographers starting out often times get the idea that wedding photography is fast and easy money and you just go around and take a few pictures, hand the couple a DVD and that’s about all there is too it.

Unfortunately, that’s what a lot of couples think too. Which leads me to the 3 things many couples believe that simply aren’t true and put your day at risk along with having nothing but really bad wedding photographs. Continue reading “The 3 Myths of Wedding Photography”

Who is Damien Symonds and Why His Photoshop Classes Rock

For many of us photographers, making Photoshop (PS from now on) work FOR us instead of the hard and difficult process it can be, is a task we seem to never be able to accomplish. PS is constantly changing and much is for the best. We only seek to bring out images to life, make edits that make sense for the composition, and output them for our printed images for clients.

Many, like me have gone online, watched hundreds of videos, taken courses, and worked at creating what the instructor created and not really understood the HOW or WHY he or she did things as they did. “Just do it this way” and it should work for you. It usually doesn’t quite come out as we expected. Sure, that instructors work is fabulous, but what about MY work? It doesn’t look so fabulous.

So who is this Damien Symonds guy and why should you care?

He is perhaps one of THE best PS masters of all time. And he offers a few PS courses that honestly, will turn your hate or fear of PS into a LOVE of PS in ways that will astound you. His teaching methods are simply the easiest to comprehend, the simplest to master, and don’t require a learning curve that is unobtainable. And he is not a photographer, but a retoucher and restoration expert from Australia.

His first and most recommended course from me is his RAW Class. Shooting in RAW format is often misunderstood and the reasons WHY you should be taking photographs is RAW is explained in depth in his course. But once you have a RAW image, processing it, setting white balance, properly adjusting exposure and all the other settings requires a foundational few steps to start your masterpiece. I know that in my wedding photography, I sometimes have hundreds of images to sort, cull, and process. I KNEW there had to be a better way to quickly accomplish that task and honestly, dreaded it. Not any longer! Damien’s RAW class turned my entire workflow upside down, inside out, and sped things up so much I love doing RAW processing now. And I have images that are ready to do the magic touch in PS using Damien’s NEXT CLASS, his Levels and Curves class.

We ALL want to make our images have that special, one of a kind POP to them. Levels and Curves can do just that once you understand how to use them, how to make them work FOR you, and how selective editing can be your best friend. To learn Damien’s technique is so darn simple that once you go through his course, apply his methods to your own images, you’re going to wonder yourself, WHY did you spend all that PS Course money?

Now for the caveats. First, you MUST have a color calibrated monitor that you edit on. Don’t even think about taking either course until you do. Without that, you aren’t serious enough about your photographic work to even consider the investment in these courses. You can’t trust what you’re seeing on your screen and what your final prints are going to look like without calibrated monitor(s). So before you do anything, invest in that and get your screen calibrated to your prints.

Second, you will need Lightroom and/or Photoshop. You can get by with just Photoshop and Bridge (it comes with Photoshop) so you can do RAW edits. Adobe Camera RAW comes with PS, and it is a powerful RAW editor as Lightroom is. They are actually almost identical. BUT, again, a calibrated monitor is necessary for proper RAW processing!

Your first course should be the RAW Class. A good, well exposed, properly White Balanced photograph starts you down the path to creative excellence. I often struggled before this class to get a photo looking its best and worked hard in PS to make it better. Now, I have an EASY way to take an image and process the RAW file into something that makes the PS edits a walk in the park. You’re going to learn exactly the proper steps to take, in what order to take them, and the end result will amaze you. I took a couple of photos in Lightroom, made Virtual images out of them, reset them, re-edited so I could compare, and the difference is huge. The edit took all of 2 minutes and the comparison was astounding. Colors correct, skin tones nearly as perfect as I could ever have wanted, contrast and lighting is perfect and well, images I can work with in PS with ease as the result. Add to it, the amount of PS work is reduced dramatically as well.

There is another course you should follow with and that is the Layers and Masks Class. IF you have a good solid understanding of how to use Layers and Masks, have no difficulty in adding them, editing on them, and know how to create them, you could skip this. If you are confused or feel you need to refresh yourself, by all means take this one. Masking is a fundamental skill many do not fully understand, but after this class you will. If there is any question in your mind that perhaps you could be better, take this class next.

Now comes the best part! The Levels and Curves class. I’m going to tell you right up front, you are going to complete the RAW class and see a huge difference in your photographs. But the best comes next. When you take that properly processed RAW file into PS and apply the methods Damien teaches in this class, your entire world is going to change on how you approach PS editing. You will probably never reach for a Magic Wand, or a couple of other tools ever again (well, there are times you do need them!). You will discover how the slightest enhancements will turn your photos into masterpieces in a few short minutes. Your entire view of your images will change as will the way you edit them. You will even discover that a few of your “not so hot” images can be turned into some beautiful work with a few simple levels and curves adjustments as well as using other layer types to make them really come to life.

Here is what I promise you- YOU can learn how to use Lightroom and/or Adobe Camera RAW and PS in ways you never believed you could. Damien’s easy to follow, easy to learn methods are something that I honestly believe anyone can learn to do. If you can open PS, can make a few basic adjustments, can fumble around a bit and understand where your tools pallet is, your layers panel is, and can open an image inside of PS, you can do this. Even Adobe has some nice, free video tutorials that you can learn these basic tasks from.

So if you want your editing skills to take a light year leap in a few short hours, I can’t recommend this enough. Go visit Damien’s Website, click on his Photoshop Training class links if this doesn’t open right to them. But let me warn you in advance- by his own words, he describes himself as this;

Hi, I’m Damien. I’m short-tempered, ill-mannered, narrow-minded, and have questionable personal hygiene. But I know a lot of stuff about post-processing, monitor calibration and colour-management.

So if you’ve ever wished there was somebody sitting beside you while you tried a new editing technique, or grappled with a Photoshop error, or fumbled through your first monitor calibration, or whatever … I try to be that somebody.

And if you need somebody to slap you upside the head and drag you screaming by the hair into a better workflow and better images … I’m that somebody too.

Spades shall be referred to bluntly as spades, and smoke shall be blown up nobody’s ass, ever. But we have a lot of fun, so I hope you’ll join in.

But don’t let that fool you! He KNOWS PS and teaches in a way you will love and come to understand that he really is a nice guy. He just doesn’t have time for those who won’t listen.

Take his classes if you want to really become good with Photoshop and RAW file processing. Tell him Mike sent you and buy him a couple of beers too. They are worth every cent you will invest.

The Most Photographed Generation Will Have No Pictures in 10 Years- Part II

Often I wonder if “really important people” read what I write. I still don’t know and honestly, it doesn’t matter.

Just today I stumbled on another article that said basically what Part 1 of my “The Most Photographed Generation Will Have No Pictures” article stated and from no less that a Google Founder and Big Boss what is in charge. The article appeared in several British publications. The article I read was in the The Telegraph.

Basically, the same dangers were reiterated of not printing your photographs- technology is exponentially changing today so fast that the risk of losing everything digital is going to be something you will not consider until it’s too late.

Warning that the 21st century could become a second “Dark Ages” because so much data is now kept in digital format, he said that future generations would struggle to understand our society because technology is advancing so quickly that old files will be inaccessible.

Validation can be a good thing when your thoughts are echoed from someone far more in touch with digital development that I am. 10 years might be too short a time frame.

Print your photographs. Preserve them for future generations to see what we enjoyed today, lived today, cried today, and laughed today over.

They might love to actually know what “we” were all about in those “old fashioned” days of doing things the hard way.

The 5 Mistakes Brides Can Make In Hiring Their Photographer and How to Avoid Them

As a soon to be bride and groom, with your wedding planning in full swing, no doubt you have discovered that there is a lot more to this “getting married” thing than just walking down the aisle and saying “I do”. Yes, it will be just wonderful and your special day will be one I hope you never forget. The one way to assure you don’t ever forget is to find that photographer to capture your day in photographic memories you will cherish and cry over 10, 20, 30 years from now. As a wedding photographer, I have discovered that there are 2 types of brides who are trying to hire their photographer- those who do the things needed to get the RIGHT photographer and the other who makes the mistake of not.

So let’s get right to it and see what common mistakes I see almost daily that brides (and often grooms) make in hiring their photographer. Avoiding these will assure you get the great photographs you not only desire, but should demand. After all, you are only going to get one chance to get this one right, so let’s talk about making sure it’s perfect for you. Continue reading “The 5 Mistakes Brides Can Make In Hiring Their Photographer and How to Avoid Them”

Now That You are Engaged, What is Next?

It is a known and proven fact that more Engagements occur between Christmas and Valentines day than any other time of the year. If you are one of those couples, then without a doubt, it probably means a wedding is in your life in a few short months. This can be one of the most exciting times of a couples life as well as one of the most confusing one at the same time.

The task of planning everything from soup to nuts, flowers to dresses, tuxes to garter will seem simple enough, but the countless mistakes and frustrations are about to begin and in order to help couples get started, let’s examine where to begin so you start off on the right foot for your wedding day! Continue reading “Now That You are Engaged, What is Next?”

Bridal Tips: Hiring Your Wedding Photographer

Jacksonville Wedding PhotographerIf you are a Bride and Groom that is planning your wedding day, you have already discovered that there are hundreds of things you must consider from the guest list to the jewelry you will be wearing. Add to it, the various vendors you will be using from the venue to the cleanup crew, and you find yourself nearly overwhelmed with anxiety and maybe even wishing you had 20 “you” to handle it all.

Choosing your Wedding Photographer is one of those things you will be experiencing all soon enough, so here are a few tips to make it one you will enjoy, rather than dread. Continue reading “Bridal Tips: Hiring Your Wedding Photographer”